Musical constructions of nationalism: a comparative study of Bartók and Stravinsky
Identifieur interne : 000752 ( Main/Exploration ); précédent : 000751; suivant : 000753Musical constructions of nationalism: a comparative study of Bartók and Stravinsky
Auteurs : Benedikte Brincker [Danemark] ; Jens Brincker [Danemark]Source :
- Nations and Nationalism [ 1354-5078 ] ; 2004-10.
English descriptors
- Teeft :
- American musicology, Analysing bela bartok, Apocryphal sentence, Barto, Bartok, Bela, Bela bartok, Benedikte, Benedikte brincker, Brincker, California press, Cambridge history, Cambridge university press, Certain amount, Collective consciousness, Composition technique, Composition techniques, Considerable contribution, Cork university press, Cultural material, Cultural nationalism, Culture cork, Dahlhaus, David schneider, Different interpretations, Eric hobsbawm, Ethnic communities, First world, Folk music, Folk songs, Great danish encyclopedia, Grove dictionary, Gypsy music, Harvard dictionary, Hermeneutical essays, Hobsbawm, Hungarian, Hungarian fatherland, Hungarian nation, Hungarian nationalism, Hungarian reaction, Hungarian workers, Igor stravinsky, Important positions, Jens, Jens brincker, Jens brincker nationalism, Modern nation, Modern period, Modern phenomenon, Modernist writers, Musical construction, Musical constructions, Musical expression, Musical nationalism, Musical style, Musicology, National element, National music, Nationalism, Nineteenth century music, Octatonic, Octatonic scale, Older bartok, Other hand, Other words, Peasant culture, Peasant music, Peasant songs, Platonovich karsavin, Political purposes, Potential place, Princeton university press, Reception aesthetics, Robert craft, Romanian, Ruling elite, Russian migrants, Russian traditions, Several forms, Stable equilibrium, Stanley sadie, Stravinsky, Symphonic style, Taruskin, Term construction, Third reich, Tonal foundation, Trianon treaty, Turanian, Turanian nationalism, Western european, Wind instruments, Zoltan kodaly.
Abstract
Abstract. This article argues that music, and in particular the history of music, can make a considerable contribution to the study of nations and nationalism and illustrates it by analysing Béla Bartók and Igor Stravinsky, relating these analyses to significant debates within theories of nations and nationalism. Within studies of nations and nationalism the article concentrates on the different interpretations of the term ‘construction’ expressed in the works of Eric Hobsbawm and Anthony D. Smith.
Url:
DOI: 10.1111/j.1354-5078.2004.00183.x
Affiliations:
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This article argues that music, and in particular the history of music, can make a considerable contribution to the study of nations and nationalism and illustrates it by analysing Béla Bartók and Igor Stravinsky, relating these analyses to significant debates within theories of nations and nationalism. Within studies of nations and nationalism the article concentrates on the different interpretations of the term ‘construction’ expressed in the works of Eric Hobsbawm and Anthony D. Smith.</div></front></TEI><affiliations><list><country><li>Danemark</li></country></list><tree><country name="Danemark"><noRegion><name sortKey="Brincker, Benedikte" sort="Brincker, Benedikte" uniqKey="Brincker B" first="Benedikte" last="Brincker">Benedikte Brincker</name></noRegion><name sortKey="Brincker, Jens" sort="Brincker, Jens" uniqKey="Brincker J" first="Jens" last="Brincker">Jens Brincker</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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